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boy_2026_oil_on_canvas_24x20inches_©boo_saville.jpg

Boy
2026
Oil on Canvas 
60 x 50.8cm

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© Boo Saville 2026

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PHOTO-2026-04-02-12-11-40.jpg

GENTLE

Bolee Gallery

Saturday 2 May, 10am - 1pm


West End, Bruton, Somerset BA10 0BH

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Boo Saville: Gentle, opening with a brunch event on Saturday 2 May, 10am - 1pm. 

‘Gentle’ brings together a group of paintings depicting men and boys. Working from fragmented and digitally sourced images, Saville paints figures that seem to sit between strength and vulnerability, closeness and distance, and what is visible and what is hidden.

Echoing the moral unease of The Picture of Dorian Gray, these portraits appear suspended between surface and truth, their identities are mediated through the distortions of online culture and the so-called “manosphere.” Moments of tenderness, grief, care and isolation sit uneasily alongside ideals of control, performance, and self-mastery. Rather than offering resolution, the paintings hold these tensions in place, asking how masculinity is shaped by community, expectation, and the pressures of visibility. Drawing on ideas of compassion and love articulated by thinkers such as James Baldwin and bell hooks, the exhibition invites us to consider what is hidden, suppressed, or denied within contemporary male identity.

Themes and references in this text have been taken from the essay ‘Semper Dolens’ written by Hannah Lees which accompanies the exhibition. Link in bio 

Contact the gallery to be added to the interest list for this exhibition. 

Image: Boo Saville, Boy, oil on canvas, 61 x 50.8 cm

THE ANOMIE REVIEW OF CONTEMPORARY BRITISH PAINTING 3
Anomie Publishing 2025

Following the success of The Anomie Review of Contemporary British Painting in 2018 and The Anomie Review of Contemporary British Painting 2 in 2021, a third volume has been created to showcase solo exhibitions that have defined contemporary painting since the second volume. This new, even larger anthology presents the work of eighty-five artists born or living in Britain through documentation and discussion of solo exhibitions of their work in museums and galleries nationally and internationally. Featuring artists at different stages of their careers, from senior figures exhibiting at major museums to emerging artists presenting some of their first commercial gallery exhibitions, The Anomie Review of Contemporary British Painting 3 offers an overview of recent activity in the medium of painting in Great Britain.

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